Allan Arkush on 8 1/2
0 views • Feb 11, 2022
Federico Fellini's follow up to La Dolce Vita (and his last black-and-white movie) is the rare classic that rewards each viewing over a lifetime with new and different insights. A favorite of virtually every filmmaker, this exhilarating phantasmagoria was inspired by Fellini's own creative block. "I am Guido", he famously said of Marcello Mastroianni's conflicted film director hero whose expressionistic, circuslike world is closing in on him. One of the most influential movies ever made, and the highlight of Fellini's remarkable career. ABOUT ALLAN ARKUSH: A record collector and film buff from his early days, ALLAN ARKUSH brought his two loves together in directing the cult classic Rock 'n' Roll High School. Allan's day job is directing television series like Moonlighting, Ally McBeal, Crossing Jordan, and the mini-series The Temptations, for which he won an Emmy. He currently stays busy as an Executive Producer and Director of Hellcats. ABOUT TRAILERS FROM HELL: TFH is the premier showcase for a breathtakingly eclectic assortment of trailers from classic era films both in their original form and punctuated with informative and amusing commentary by contemporary filmmakers. Follow us on Twitter: ‪‪http://www.twitter.com/trailersfromhel‬‬ Like us on Facebook: ‪‪http://www.facebook.com/trailersfromhell‬‬ But wait! There's more! TFH has a podcast! It's THE MOVIES THAT MADE ME, where you can join Oscar-nominated screenwriter Josh Olson and his, ummm, "co-host" Joe Dante in conversation with filmmakers, comedians, and all-around interesting people about the movies that made them who they are. Check it out now, and please subscribe wherever podcasts can be found. Apple Podcasts: https://podcasts.apple.com/us/podcast/the-movies-that-made-me/id1412094313 Spotify: http://spotify.trailersfromhell.com Simplecast: https://themoviesthatmademe.simplecast.com/ Google Play: http://googleplay.trailersfromhell.com RSS: http://goo.gl/3faeG7
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

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